Summary This combines two
Railfans are Weird; we are niche to the world of film, we are less like tradictonal hollywood filmakers but rather we are more like journalists because we practically have one shot to work on but we want to be focussed but it depends on the time. Danel Haldly is a extreme example of a videographer turned into a professional railfan. He similar to what I find myself in terms of wanting to live up to .
In compassion to the clips seen in something seen in such as unstoppable and how refined as something seen in unstoppable.
Compared to the high action of unstoppable these train we tend to be very Amateur in comparsion to somthing seen in a Vin Deasil movie. Railfans are not given to the special high tech shoots . Rather all we have is a good camera and sometimes a tripod and some editing software. You do not see any shots that require a specific piece of machinery. Unless you pay for a helicopter or be fortunate to have a very large team working for you this is largley off limits to the regular fim maker Based on Dan Hadley’s insights, a good railfan video goes beyond simply pointing a camera at a train.”Unstoppable” and Hitchcock aimed to tell carefully constructed fictional stories to engage a broad audience. Railfan videography, on the other hand, often centers on documenting real-world events (train movements, specific locomotives) for enthusiasts and preserving a part of history that may be potentally gone by the viewers time. Hadley’s work bridges this gap somewhat by aiming to tell a story within the documentary context but said context does so in a documerty framework rather than a genral action move . Railfan Videography very rarely with the exepton of a large video production uses high tech video solutons such as making instaltions on the locomtives themselves rather than Staging and Manipulation: “Unstoppable” involved the deliberate staging of events, including a train derailment Hitchcock employed cinematic techniques to manipulate audience perception .Railfan videography, at its core, documents existing reality without staging events, though artistic choices in framing and editing are still present in Hadley’s work17 …
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